Meet the latest cultural artifact and YouTube sensation from mix master Daniel Kim. For the past several years, Kim has been creating pop music mashups of the past year’s hits. His 2012 mix is easily his best yet, and the collective internet audience has rewarded it with more than seven million views after being out for only a week. It’s worth the eight minute watch:
I confess I’m enough of a Philistine to enjoy a good pop tune once in a while. Some I enjoy quite frequently (like Owl City’s “Good Time,” which I listened to daily all last summer). I try to at least know of the top music stars right now. A compilation like this thus brings back many memories from the past year. It’s skillfully mixed together and a lot of fun to watch.
These songs have a certain nostalgic value because I associate them with people or times in my life. That’s fine, but it really just obscures their true nature. When you think about the songs themselves, there’s almost nothing there. They are nothing but sticky-sweet ear candy stretched over a gaping void. Some of these songs are uplifting and anthemic, but most are also overwhelmingly narcissistic.
If this is representative of our cultural consciousness for the past year (not an entirely unfair claim), it raises some scary questions. The songs in this anthology are utterly detached from anything real, significant, lasting or valuable. It’s a load of fakeness, fool’s gold, glam and glitter, lights, pretty faces, too-perfect bodies, fleeting feelings. It’s kitsch that has little reason for existing other than to make money. Out of the Pop Danthology’s 55 songs, I could probably count on one hand the ones that aren’t about “love.” Continue reading →